Marking place with Rhae Kendrigan
Another intriguing show at Workspace 3496 +Gallery, a creature to love, and a podcast recommendation.
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Where do First Nations portraits belong in a thematic exhibition?
Portraiture is a worthy and rewarding genre to explore many issues, including gender and ethnicity. Ironically, this exhibition left me wondering where some women fit.
Review: The Jacaranda Art Prize
The Jacaranda is a favourite tree in many parts of Australia. Synonymous with spring, it’s a favourite spectacle of the Instagram photographer. This is a lot of hype for a tree that isn't even native to this continent. In Mildura the purple carpet maker is honoured with an annual art prize.
Being unsettled
It’s not just curiosity about my own tastes that drives this newsletter endeavour, I’m also doggedly of the conviction that looking at things slowly – avoiding fast, easy conclusions – is an important and valuable thing to do in and of itself.
Recent work by Barb Henderson
Displayed on a single wall in a tight group, ten of Barb Henderson's paintings sing out from Cam's Kiosk at the Abbotsford Convent. They're lit with the natural light that floods in from the Convent's iconic courtyard; bright and colourful enough to catch your eye on a Melbourne day.
Review: TRANSFORMATIONS: the hidden beauty of ordinary things (2013)
Exhibitions are short in this city and good exhibitions seem shorter still. By the time you read this review the exhibition will have finished. A state of affairs requiring art lovers to pounce on the exhibitions they love and remember them. My job as a critic is to make you
Unruly art objects and long-haired hippie types
A series of sculpture exhibitions in Mildura from 1961 to 1988 were a testing ground for new forms of experimental art. A new exhibition at the Mildura Arts Centre documents this moment 50 years on.
Women of Montsalvat
History is thick on the ground at Montsalvat, Eltham. The story of the founders of this bohemian artist’s colony are layered into the walls, the very mud bricks they built their gothic looking buildings with. Two families established the colony in 1934: Justus Jörgensen and his wife Lily Jörgensen
Micro reviewing
Imagine you live in a small inland town at the junction of two rivers. You work part time for a tiny newspaper; one day in the recent weeks you submit three short reviews.
The Broken Hill update
There's something about this place, it gets under your skin. And the art is FANTASTIC. Plus some musical treats.
Judging the Archibald
Place, taste and tradition in Australia's favourite portrait prize
Review: The 11th Asia Pacific Triennial
Or, what I saw in five hours at QAGOMA
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Language and Belonging
Exploring the Italian migrant's experience in Filomena Coppola's solo exhibition at Mildura Arts Centre
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Lands and Waters
A dual review of Reimagining Birrarung: Design Concepts for 2070 and the National Wool Museum’s On the Land: Our Story Retold
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Review: Residue + Response | 5th Tamworth Textile Triennial
You know I am a huge textiles fan. This review won't come as a surprise at all but I did find something unexpected on my second visit.
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Artwork 13: Australia in Colour
Vincent Namatjira is in the news and I have mining on my mind
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Artwork 12: Elizabeth Riddell with black Cat
Pictures at a (library) exhibition in New South Wales
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Review: Baggarrook-al Biik-u – She is of Country
Women's business is moving and beautiful and we're privileged to see it
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Artwork 11: Corroborree (Women in possum skin cloaks)
An exhibition in Narrm/Melbourne and the highlight of my career
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Visiting Boola Bardip Museum of Western Australia
It's huge.
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Thievery at the British Museum
Looting the loot, loot loot loot...
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There is no progressive 'No' in Australia's referendum
For non-Indigenous Australians, there is only 'Yes' and the work that needs to keep being done after the vote.
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Assistance or interference? Scandal for scandals sake in Australian art world
White artists working on black artworks. Can looking at past authenticity controversies help us understand this one?
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Exhibition reviews: Speedway and Mildura Atrocity Exhibition
Cars, violence, the end of the world: these exhibitions care about the climate but they also want you to think beyond it